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Author: SD
‘Father Mother Sister Brother’ director Jim Jarmusch “disappointed and disconcerted” by Mubi funding from Israel-linked Sequoia Capital
Jim Jarmusch says he was “disappointed and disconcerted” by the funding Mubi, distributor of his new film Father Mother Sister Brother, is receiving from Sequoia Capital, the investment firm which also backs an Israeli defence technology firm. “I have spoken to Mubi about it,” said Jarmusch in response to a question from Screen about his views on the topic at the press conference for his Venice Competition title. “I have a very good relationship with Jason Ropell at Mubi particularly. He called me immediately. “He had not been aware when this relationship was made. My relationship with Mubi started much…
The Venice Film Festival was the focus of a huge demonstration on Saturday (August 30) against Israel’s war in Gaza. In the biggest demonstration to date at a film festival, thousands of protestors marched on the Lido towards the festival’s Palazzo del Cinema. However, amid a heavy police presence with helicopters flying overhead, the protestors were prevented from accessing the festival’s main red carpet area. The protest took place just before the world premiere of Guillermo del Toro’s Frankenstein, starring Jacob Elordi, Mia Goth and Oscar Isaac, but did not disrupt the red carpet. The protest, which was noisy but…
Disney’s romantic comedy The Roses leads the openers in UK and Ireland cinemas this weekend as Darren Aronofsky’s Caught Stealing also starts for Sony. Benedict Cumberbatch and Olivia Colman star in The Roses which opens in 694 locations. Jay Roach directs the feature about a couple whose loving marriage takes a nosedive when roles are reversed. It is based on the same novel that inspired the 1989 dark comedy starring Michael Douglas and Kathleen Turner. Roach’s last directorial effort was 2019 #MeToo drama Bombshell which opened on £686,050. The US director has had more success in the comedy field including…
Yorgos Lanthimos has issued a warning for the independent film sector, saying “it is getting more and more difficult” for independent films with “different themes” to get made. “It has been a trend for a long time,” said Lanthimos, speaking at the press conference for his Venice Competition title Bugonia. “The weird and complicated thing about cinema is that it’s both art and entertainment. Because of the cost to make films, it becomes very challenging to choose which films are going to be made.” “There are films that are both [art and entertainment], so it’s a very complicated landscape. I…
Venice artistic director Alberto Barbera says guests will not be disinvited from the festival because of their political views, as the topic of the ongoing war in Gaza takes hold on the festival’s first day. “The position of the Biennale is at one hand we are an Italian cultural institution, a place of openness and debate that does not censor anybody,” said Barbera at the press conference for the heads of the official competition juries. “We’ve been asked to turn down invitations to artists – we will not do that, if they want to be here, they will be here.”…
‘Weapons’ top for third weekend as UK-Ireland box office stagnates; ‘Eddington’, ‘The Life of Chuck’ miss the top five
UK-Ireland top five, August 22-24 Rank Film (origin)Distributor August 22-24Total Week 1 Weapons (US) Warner Bros £1.1m £8.9m 3 2 Freakier Friday (US) Disney £740,432 £6m 3 3 Materialists (US) Sony £554,097 £2.7m 2 4 The Bad Guys 2 (US) Universal £510,810 £10.4m 5 5 The Fantastic Four: First Steps (US) Disney £507,819 £22.2m 5 GBP to USD conversion rate: 1.35 Warner Bros’ Weapons topped the UK-Ireland box office for a third successive weekend, as the top five titles remained the same as last weekend and dropped to a lowest cumulative total since 2022.…
Sony Pictures Classics takes over release of Venice-bound anime ‘Scarlet’ in North America | News
Sony Pictures Classics has taken over North American distribution from Sony Pictures of Mamoru Hosoda’s anime adventure Scarlet, days ahead its world premiere out of competition at Venice Film Festival (August 27-September 6). Scarlet will also screen at TIFF next month and play New York Film Festival, before an awards-qualifying run and early 2026 release. Sony Pictures Releasing International will distribute throughout the rest of the world for Columbia Pictures, and Toho will distribute theatrically in Japan. While Sony Pictures Classics did not elaborate, Monday’s development means the Sony fold now has two robust animation awards contenders for the upcoming season. Sony…
UK-Ireland box office preview: ‘The Life Of Chuck’ dances into 622 cinemas, ‘Eddington’ also launches | News
Studiocanal’s The Life Of Chuck leads new releases in UK and Ireland cinemas this weekend as Ari Aster’s Eddington also launches. Mike Flanagan directs his latest Stephen King adaptation with The Life Of Chuck, which hits 622 venues after previewing from Wednesday (August 20). Tom Hiddleston, Chiwetel Ejiofor, Karen Gillan and Mark Hamill are among the cast of this life-affirming tale split into three genre-bending chapters. The film won the people’s choice award at Toronto Film Festival in 2024 and closed SXSW London earlier this summer. Flanagan is best known for Netflix miniseries The Haunting Of Hill and The Haunting…
Stefan Dordevic’s Wind, Talk To Me won the Heart of Sarajevo for best feature film at the 2025 Sarajevo Film Festival, on an evening when several winners expressed solidarity with the student protestors in Serbia. Serbian director Dordevic’s film – a Serbia-Slovenia-Croatia co-production – is inspired by the director’s real-life experience, and follows a man whose first homecoming since his mother died coincides with his grandmother’s birthday, and his attempts to rescue a stray dog. Scroll down for the full list of winners Dragana Jovovic, Ognjen Glavonic and Stefan Ivancic produce for Serbia’s Non-Aligned Films. Dordevic dedicated the award to…
Warner Bros cemented another milestone in a notable summer as Zach Cregger’s critically lauded horror Weapons crossed $100m at the North American box office. The threshold has traditionally brought automatic cachet without too much scrutiny of costs. However in this case it is meaningful and represents a profit for Warner Bros/New Line on $172.6m and counting at the worldwide box office. The original horror reportedly carried a $38m production budget, in addition to several tens of millions in marketing spend, and the split with exhibition. Weapons added $2.4m on Thursday to reach $100.3m. It stars Juia Garner and Josh Brolin…