Alix Morabito, global buying director at Galeries Lafayette
Pierpaolo immersed himself in Balenciaga’s archives, and we can see some echoes of this. References to Cristóbal, with work on volumes and colours and a more couture approach; to Nicolas Ghesquière, through the City bag and bowler hats; and to Demna, through certain styling elements such as glasses. We also note the development of numerous accessories.
Tim Lim, group fashion director at Meta Media Holdings
There was a familiar sense of beauty, colour, bold-stroke texture, and pared-down chic that felt as much Pierpaolo as it did Balenciaga, with nods to his predecessors in some of the harder edges and accessories. A very telling sign of this new era was the appearance of Meghan Markle: just three months ago, her presence would have read in a much different way.
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Yumi Shin, chief merchandising officer at Bergdorf Goodman
Pierpaolo Piccioli once again proves that fashion can be emotionally powerful, with a refined elegance that has become his signature. Each look showcased controlled volume that equally spoke of discipline and freedom. The play of colour was vibrant and the proportions were delivered through a couture lens. Designed with kindness and always from the heart. It’s this humanistic approach that transforms his work into something deeply moving. In a season of daily debuts, Piccioli’s vision is one from the soul.
