Author: NY TIMES

Christina Goldbaum, a New York Times reporter, and Katrin Bennhold, a senior writer on the international desk, discuss how the power dynamics in the Middle East could change as Iran has become more isolated.

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After one of the most brutal wars of this century, a new flag flies across Syria: the emblem of the rebels who toppled the dictator Bashar al-Assad. Ben Hubbard, The New York Times’s Istanbul bureau chief, describes what our journalists learned as they drove across Syria, meeting people in towns and cities along the way as they strove to rise from the wreckage and build new lives.

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When President Trump took office, U.S.A.I.D. was one of the first agencies to be dismantled in the name of efficiency. Amy Schoenfeld Walker, a New York Times reporter and graphics editor who has been tracking the foreign aid cuts and restorations since they began in February, shares what she’s learned through her reporting.

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“Hi, My name is Dean DeBlois. I’m the writer, director and one of the executive producers of “How to Train Your Dragon.” In this particular scene, it’s the catalyst of our story. Young Mason Thames, playing Hiccup, wanders into the woods to search for a dragon that he shot down the night before, and he finds it looking still and dead in a little gully in the woods. And as he approaches it, feeling victorious, he comes to realize that it’s still alive. And so he has to muster up the courage to pull out his dagger, act like a…

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In recent extraordinary moves, Health Secretary Robert F. Kennedy Jr. has fired and replaced a team that makes vaccine recommendations for the country. Apoorva Mandavilli, a science and global health reporter at The New York Times, explains how this change could impact vaccine accessibility.

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“I’m Mike Flanagan. I am the screenwriter, the director, the editor, and one of the producers for “The Life of Chuck.” So we’re seeing Chiwetel Ejiofor, who plays Marty Anderson. He’s walking right now to his ex-wife’s house in the middle of the end of the world. At this point in the story, and this scene is taken pretty much directly from Stephen King’s original novella, the world is almost over. No one understands why, and he’s on foot with his phone, no longer working with cars backed up, making traffic impossible, and he’s trying to find his way to…

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In sweeping attacks that started Friday, Israel struck at the regime in Tehran, hitting Iranian nuclear and military assets. Iran retaliated with barrages of ballistic missiles and drones. It is the most intense fighting in decades between the two heavily armed countries. To understand what’s happening in the region, Katrin Bennhold, a New York Times senior writer, spoke with Patrick Kingsley, the Jerusalem bureau chief.

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“Hi, My name is Celine Song and I’m the writer-director of “Materialists.” I wanted to choose this scene as the Anatomy of a Scene because it’s the first scene that I wrote. And this shot is, it’s a very long take, and it begins with Harry, played by Pedro, extreme wide, which then becomes an extreme close up of his name card and the camera turns into a two-shot. And this really reflects how incredible my actors are. Dakota and Pedro, because we’re really treating them like they’re theater actors, having to have a whole conversation while sitting in this…

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