Author: Hollyood rep

Tribeca Festival has extended its partnership with Impresa Group to stage Tribeca Festival Lisboa in Lisbon, Portugal for another three years to 2028. Tribeca’s Portuguese indie film showcase, in its third edition set to run Dec. 9 to 13, 2026, will also see a move from Lisbon’s Beato Innovation District to the Avenida da Liberdade, the city’s tree-lined Champs-Elysees. That gets the Tribeca collaboration with Portugal’s media players and filmmakers into the heart of Lisbon and filling movies theaters and cultural venues like Cinema São Jorge, Teatro Tivoli and Capitólio. The deal extension with Impresa also expands Tribeca’s efforts to bridge…

It was around the third or fourth franchise chapters that both Scary Movie and Scream, the horror satire it started out parodying, veered so far into meta humor that they became narratively broken, too self-reflexive to be of interest to anyone but teenagers busy congratulating themselves on every reference they got. Both series peaked early and both sputtered on to diminishing returns before giving up the ghost (sorry) — at least until the IP was dusted off again, to arguable gain in the case of Scream. Thirteen years have passed since the last Scary Movie, which means there’s been a decade-plus of horror ripe for…

Ari Millen is the devilish titular character offering kids sweet delights with horrifying results in the trailer for Eli Roth’s Ice Cream Man, which dropped on Wednesday. Axes, hacksaws, baseball bats are the weapons of choice for children having a meltdown in an idyllic town plunged into madness when the ice cream man from his truck doles out treats on a summer’s day. “That ice cream’s demonic. They’re not trying to kill us. They’re trying to turn us. We have to run!” one kid is heard saying in a voice over in the trailer as bloody mayhem ensues. The film…

That Alice (Nicola Walker) would react badly to learning that Steve (Jemaine Clement), her ex-boyfriend turned best friend of 30 years, is dating her 26-year-old daughter (Yali Topol Margalith) was a given. For one thing, it’s hard to imagine who wouldn’t be weirded out by such a situation. For another, Alice is the kind of brash, impulsive, self-centered personality unlikely to take anything in stride, much less a piece of news as explosive as this one. So even as she throws herself into petty vengeance, going to further and further extremes in her feud against Steve, it’s hard to say…

Open Doors, the Locarno Film Festival‘s co-production platform and talent development program for filmmakers from equity-seeking communities and regions where artistic expression is at risk, is gearing up for its second edition with a focus on African cinema, unveiling on Monday its selection of projects and producers for 2026. Organizers promise “a bold and diverse slate of voices from across the African continent” in an edition that brings together filmmakers whose work spans fiction, documentary and animation across more than 10 countries. Running Aug. 5-10, the Open Doors program offers hands-on training, mentoring and networking, alongside public screenings and events…

Obsession and Backrooms are breaking records and making history at the box office, and producers Jason Blum and James Wan say the films are reminiscent of the 1970s era of young filmmakers breaking into the horror genre. The horror leaders opened the Produced By Conference at Universal Studios lot Saturday, where they sat down with PGA President Stephanie Allain to discuss the state of cinema, movie theaters’ recovery from COVID and their future goals for Blumhouse–Atomic Monster. “Since COVID, there’s been this lethargic feeling around theatrical, and is it relevant anymore and is it going to survive?” Blum said. “And…

If you think that film from Kazakhstan equals Borat, the fictional character created by Sacha Baron Cohen, you may want to think again – and come out to the Screen Festival at SXSW London 2026 for the latest cinematic evidence. After all, Kazakhstan is back in town and ready to make a splash. Anna Bogutskaya, the head of screen at SXSW London, and her team have booked an eclectic mix of theatrical and series offerings. But Kazakhstani cinema features more prominently than most would expect from the Central Asian country with a population of about 21 million. “We’ve got two features from…

International buyers are mad for Hope. Na Hong-Jin’s sci-fi monster movie, a highlight of the Cannes Film Festival this year, has all but sold out worldwide, securing pre-sale deals in 200 territories worldwide. Studio divisions Focus Features and Sony Pictures Worldwide Acquisitions picked up the film for select international territories, with Focus, together with UPI France, acquiring rights for France, Benelux and South Africa; and SPWA taking Portugal, Scandinavia, Iceland, Israel and the Middle East. Other major international territorial deals include with Japan’s Gaga, CIS’ The World Pictures, Eastern Europe’s Unicorn Media and India’s Star Ent. Neon acquired Hope for…

After proving to be a winner in stand-up, Nate Bargatze hopes to win over audiences with his first movie. Bargatze, who is one of the world’s top-selling stand-up comedians, makes his feature debut with The Breadwinner, which Sony releases in theaters Friday. Mandy Moore, Colin Jost, Zach Cherry, Martin Herlihy, Kumail Nanjiani and Will Forte also star in director Eric Appel‘s film that centers on a dad (Bargatze) taking care of his three daughters while his wife (Moore) pursues a business opportunity. During a conversation with The Hollywood Reporter, Bargatze talks about having a horse on set, suggesting to theater owners…

The fully AI-generated feature film Dreams of Violets from directors and producers Ash and Pooya Koosha has been officially programmed into the Tribeca Film Festival for a world premiere. The artificial intelligence-generated movie will debut on June 10 at the AMC Flat Iron Theatre in New York City. “The Tribeca Festival has long championed artists who push the boundaries of storytelling and explore new creative frontiers. Dreams of Violets from first-time filmmakers Ash and Pooya Koosha is a powerful example of how emerging technologies like AI can be used not simply as tools of innovation, but as vehicles for deeply human…